Tuesday, February 14, 2012

The Short Story is Alive(?)

A few entries ago, I came to the realization (for about the thirtieth time) that writing is what I’m supposed to be doing, to be the focus of my creative energy. Close on the heels of that, I received a response from a publisher that was looking at my short novel, “28 IF”. Their comments were that, while the material is “strong”, there is “a little too much philosophizing and not enough action”. I don’t really take offense to that; in fact, the philosophizing was always supposed to be the focus.

I’ve also, from a different source, heard some about the marketing aspects of my story. If you’ve checked it out (it’s presented in its entirety in older entries if you haven’t) it’s structured around the Beatles’ final album, Abbey Road, and incorporates all the lyrics from the album. This source pointed out that it would be a huge legal hassle to obtain the rights for publication, and what publisher in these times would want to take that upon themselves, especially for an unknown author? Again, I have to say that when I wrote the story, marketability was not what I had in mind. I just had an idea that I wanted to get out of my head and into the world.

But all this feedback got me thinking. Of the four major works I’ve started working on (three novels and one screenplay), all derive their structure from someone else’s work. “28 IF” was based on the tracklist of “Abbey Road”, my two unfinished novels are based on Dante’s “Inferno” and Poe’s “The Masque of the Red Death”, and my screenplay “Syzygy” was originally conceived to follow the tracklist and imagery of Tom Waits’s album “Bone Machine”. In that last instance, I did thankfully stray from the original concept, but what keeps coming around is the idea that I’m not clear at all on how to create a long-form structure of my own. I always have to provide myself a guide to follow, even if I don’t always strictly adhere to it.

So maybe, after all this, the short story is really what I should be focusing on. I haven’t been in recent years, because it seems like the market for them has really gone downhill. That wasn’t always the case… when the Internet was first becoming a true marketing force for fiction, everyone was saying that short fiction, especially “flash” fiction that’s even shorter than short stories, would be the main thing, something that someone could digest all in one bite. That doesn’t seem like it’s come to pass. There are exceptions, of course… Joe Hill’s “20th Century Ghosts” and my former high school classmate Julie Orringer’s “How to Breathe Underwater” have been acclaimed short story collections by first-time authors, but on the whole, it’s novels that are the bread and butter of the book industry.

A long time ago, I promised myself that I would follow my muse as closely as I could, letting my mind, and not the market, dictate what kind of books I would write. I wouldn’t try to fit into any particular genre, or write for any defined audience rather than myself. Now I understand that I should extend that promise into the *form* of what I write, as well. If my mind is geared toward writing short stories, then that’s what I should write. One of my literary heroes, Ray Bradbury, wrote almost exclusively short stories. Even his most popular novels, “The Martian Chronicles” and “Dandelion Wine”, started out as story collections until he found a way to string them together. Maybe I can do the same.

And who knows? There may be an untapped market for short fiction out there that I’m just not aware of. I read a book recently that takes place in the 1920s, and I found myself being genuinely envious of a time when a writer could pound out a heartfelt story in a few days, send it to a literary magazine, and have it almost immediately published and read by thousands of people. Even back in the 90s, I picked up more than a few horror anthologies, and found some that contain little gems that I go back to an reread every once in a while. I have to do some research and see an online version of that exists.

Bottom line: I want to write what I feel, what I’m passionate about, what I can’t *not* write, and have somebody else figure out what to do with it. One of the more terrible directions I see the book industry going in is that, as publishers begin pulling back as an economic necessity, a whole set of existing safeguards that protect the reading public from crappy books are being lowered. In another ten years, the New York Times bestseller lists might not be populated by the best authors, or the most worthy books, but by titles whose authors have best learned the art of self-promotion. I can’t see how a person can create quality work, and at the same time work hard enough to get themselves noticed single-handedly. I’ve talked to enough of them on the phone, when they were trying to get their titles posted for sale on Borders.com. Not a single one of them had a title that seemed worthwhile, and when they would send me a sample copy, they were often laughably written and grammatically inexcusable.

I didn’t mean to go off on a tangent about the future of the industry, but my point is this: I’m going to write what I need to, in the way that I need to, and figure out what to do with it later.

Monday, February 6, 2012

DREAMSTORY #8: STAB

(Note: This is a story I wrote last year, but never got around to polishing it until recently. Just so you know, it's a little more graphic and disturbing than what I usually post here.)

He hadn’t known that the knife going in would have been the easy part. Never would have guessed it. He had been around violent people long enough, had committed enough acts of violence himself, to think that he knew what it would be like when the dice finally came up snake-eyes for him and he would be on the receiving end. He had thought it would be like a punch; he had certainly received enough of those, and there was a weight to them, a finality, a lack of ambiguity. There were the fleeting instants before you got punched, then the instant you were being punched, and then a painful parade of more instants afterward.

A knife, though… a knife was stealthy. It came out of nowhere, at least this one had, and it had none of that sureness to it. Where the very tip of it was at any one point in time couldn’t be pinned down so finely. Even as he had seen the blade flash out of the corner of his eye, seen it sweep in toward his chest, he couldn’t be entirely sure that it had stuck him until the hilt bumped up against his ribs. Then, of course, the pain came. It had reminded him a little of when he had gotten shots as a kid. If you didn’t look, you couldn’t tell the doctor had done it until it was too late and you felt that burning rush under your skin.

They had kept him in the basement room long enough for him to lose track of time. His sleep patterns had gotten screwed up enough so that he had no idea whether it was day or night. The waves of hunger that had at first accompanied the passing of each mealtime had long since blurred together into a constant stream of ache that spread throughout his entire torso, and in the last few hours had started working down the length of his limbs. He’d gone hungry before, but had never realized that arms could throb with hunger just as badly as his stomach could.

He wasn’t even sure he was in a basement. The only reason he figured that was because the floor was dirt. He supposed he could be in one of the unfinished buildings out past the airport, that sort of reverse ghost town that had been abandoned even before it had been entirely built. But the concrete wall against his back was cold, too cold for summer, and his only guess was that the other side of its thickness had never seen the light of day.

By the time the tall man had come in and started interrogating him, he was a total wreck. That was one reason They were so stupid (and by They he meant anyone who wasn‘t part of his team); you always ask a man what he knows before he begins to lose sense of himself. If you give him time to become hungry and tired and disoriented, who knows what he’ll say. Get him to talk when he’s fresh, when he still thinks he has a chance of getting back to whatever his normal life was before you took him. When that promise is still within his reach, when he can still smell his wife’s/girlfriend’s cooking, can call up in an instant the color of his children’s eyes, that’s when he’ll spill all he knows, so he can experience those things again. If he had happened to have a girlfriend, or children, even by this point he wouldn’t have given up hope, but their memories wouldn’t be his prime drivers anymore. He would be focused solely on surviving, and lies come quick and fast to the lips of anyone who just wants to live to see the light of day again.

The burn was spreading through his chest now. How wide had that blade been, anyway? It felt like it had sliced him wide open, even though he had only seen a medium-sized blade swoop under his field of vision as it punched into his chest. The feeling was accompanied by anger, a sudden shock of it that was equally fueled by fear and the sense of being startled. He hoped it had registered on his face, and for just a second had made his attacker wished he hadn’t done it, because the stabbee just might jump to his feet now on pure adrenaline and kick his ass. But it probably didn’t. He didn’t have a whole lot of say in what expression passed across his face now.

His hands had raised up instinctively, but had gotten to the scene too late to do anything. By the time they jerked up from his sides (Reason #2 that They were stupid… they hadn’t tied him up), the blade had struck, been ripped right back out of him again, and the man had started turning to leave. Instead of his hands raising to -- what? Deflect the blade with a particularly hard callous, knock the attacker’s hand aside? -- instead they flew to the wound. And, just for a second, he wondered how the man had managed not only to stab him, but to dump warm oil on his chest as well. It was everywhere, couldn’t be contained.

By then the door had slammed and he was alone. No one to take out his fear-ignited anger on but himself. Whatever opportunity he had once had to get himself out of this was gone. Maybe that was why they had made him wait so long, to get him so tired and disoriented that there was no way he was going to be able to give them any information they would want. And here was the result, what they had just been waiting for an excuse for all along.

He didn’t panic, just tried to struggle to his feet. His front was coated with the slick stuff now, and in the dim light he could see how dark it was turning him. There was so much of it… how much could he stand to lose? He had seen lots of guys bleed, both friends and victims of his own actions, and past lessons told him that even a little blood seemed like a lot once it was out from under the skin. But this really seemed like a lot. And there was a new pain under the split flesh, something that made him start to really worry. A burble was starting to work its way into his breaths, which were labored now from the effort of getting up off the floor. Two days ago, he was fit enough to run a 10K without breaking a sweat, and now he was winded and he hadn’t moved a foot.

Then he realized how dizzy he was, and a titanic fear began to creep in around the edges of his mind. Fear that he might not make it out of here (deep down he knew that it was a certainty, but he hadn’t let that black knowledge shine through the rest of his mind yet), fear that his friends weren’t going to be able to help him, fear that he was alone in this basement and no one was ever going to hear from him again.

Then he heard the dripping. One time, when he was a child, his mom and whatever stepfather had been around then had moved them all into a dingy apartment where the roof leaked and he had the sense that the walls weren’t straight up and down. The sound he was hearing now was what he heard on rainy nights in that apartment, and it felt like there had been an inordinate number of those nights before all stepfathers and living quarters moved on in the rotation. That pattering sound, steady and rhythmic but coming from so many places at once that the sound became chaotic and relentless.

He didn’t have to look down to know that he was the source this time, rivulets of his blood running down his torso and legs to drip off in a dozen places. He had become the house whose walls weren’t true. He thought maybe he should look at the wound itself, just to make sure, but he couldn’t get his neck to angle downward. Even his body didn’t want him to see.

It didn’t matter anyway; the fear was sitting on his head, sinking its claws into his brain, taking hold and promising to never let go. He found that he couldn’t even convert it into anger, a currency exchange that he had become an expert in, out in the world, where there was always something to spend it on. Here, the only thing breakable was the single dangling light bulb, and unloading some fury on that would only put him further in the dark. And for once, he wanted to stay in the light as long as he could.

The burble in his throat suddenly decided to become sentient and try to choke him. He couldn’t breathe, his windpipe filling with fluid. His muscles clenched, he threw his upper body forward and he heaved out a massive quantity of red stuff, doubling the pool that had already gathered at his feet, already turning the floor of the room into crimson mud. He tried to draw a breath, but he hadn’t purged enough of it, and retched again. He almost felt the urge to thrust his hands forward, to reach into the scarlet waterfall, just to catch some of it, as if he could somehow keep it and put it back inside his arteries where it belonged. But he was paralyzed with the effort of bringing it all up, and it escaped onto the floor. He felt his heels sink a little into the bare earth as he softened it with his blood. He felt lighter when the spasms were over, cooler. The fevered heat of his cheeks had mellowed. He knew he was going to have to do the whole thing over again, maybe in as little as a few seconds, but his mind was racing now, and he had at least a little while to think. And the thought that kept racing around, over and over like one of those circus motorcycles that roars loop-the-loops in a spherical cage was this: I’m not going to be remembered.

Maybe he would be, in the same way that he remembered dozens of friends he had known, ones that had all been snuffed out in the same turf war that he was seconds away from falling prey to himself, but not really remembered. There was no family that loved him, no hot homegirl that always had his back. He had relished the power that came with being part of a large gang for so long that he had neglected to realize that he was equally anonymous to everyone else who he called his “family“. No one cared for him more than anyone else, just as he cared for no one else in particular. His love was more for the gang than the people it was made of.

So who would spend more time on his death than it took to empty a forty onto a curb outside his house? When it came right down to it, the ones who had the strongest memories of him probably remembered him in fear; those he had terrorized and beaten, the living relatives of the punks he had taken down for the sake of honor. He would live on in their nightmares, but nowhere else.

That was all he had time to consciously process before he was hunching forward again, great gouts of red stuff boiling out of him and expanding the pool of himself that he stood in. His leg muscles were starting to shake, lack of blood making them all too aware that they were the only thing holding him up, and they couldn’t bear the responsibility anymore.

He leaned backward until his aching spine hit the concrete wall again, cold as a block of ice. He slid down it until he was half sitting up, sinking into the dark mud under him, looking up and around, his eyes rolling in their sockets like a terrified horse. It made the room appear to spin around him. He was so dizzy, even though he knew he wasn’t moving.

Every part of him was hurting now, the slash across his chest only a brighter flare in the overall wash of pain. He’d only been really, truly nervous a few times in his life, and now each of his limbs felt like they were getting butterflies. Even with all the pent-up energy he felt, his body was getting heavier, becoming harder and harder to move. He was solidifying, turning to stone while the ground below him kept getting softer. The only real movement he could muster was another halfhearted round of coughing, his chest pumping like a creaky bellows while the rest of him stayed limp, sputtering red clouds of mist off his lips.

This is it, he thought. Never going to feel better than this again. Never going to laugh, or get laid, or leave this room. He didn’t even know who the tall man was who had stabbed him, and he had turned out to be one of the most important people in his life; the one who ended it.

He thought all this with a kind of detachment, fully aware of what was happening, still terrified, and yet having a part of himself able to think rationally about it all, analyze it like a spectator. He wasn’t religious; once he became fully engaged in his life of crime, it seemed ridiculous to think that there was anyone out there looking out for him other than his gang mates, and even that didn’t have a whole lot to do with him personally. They were just all part of the same team, and even though it was the deepest bond any of them knew, it still wasn’t much deeper than a wolf must feel for any other member of its pack. He felt safe, secure in their numbers, and he felt it was the best he had any right to feel, so never tried for anything deeper. Besides, if he still chose to believe in another life after this one, he was sure whoever was waiting for him on the other side wasn’t going to be proud of the way he had conducted himself. He found that he was staring at his fingers, hypnotized by the way they kept reflexively balling into fists and slowly relaxing without him consciously asking them to; they felt as if they had fallen asleep, and now were in a perpetual needles-and-pins phase of waking themselves back up. Instead of that tense, buzzing feeling fading away after a few seconds, it just kept getting worse. The fact that they were bloodier than they had ever been -- except for maybe at the moment of his birth -- only made the process more fascinating. It was like he were looking at dripping red-wax candle versions of his hands, and he was melting away before his own eyes.

He took an unusually deep breath, felt his lung whistle and bubble, unable to fully inflate itself. Then he pitched sideways onto his face, his shoulder sort of breaking his fall, his mouth and nose just clearing the mud puddle that his life had suddenly manifested itself in, while his temple fell right into it. He lay perfectly still. Movement was no longer necessary anyway, and he hardly even realized he had fallen. His mind was burning, spinning with sparks of thought, knowing it was racing against time, time in which he had to think about all the things he never had time to think about before, come to a decision about everything he had ever been ambivalent about.

It was a race that he lost, of course. But as the seconds dragged out, he became less and less aware of that fact. His vision brightened, all the colors in the dank room ratcheting up and up until they all became blindingly bright, the coolness in his limbs doing the same, growing warmer and warmer but never too hot. Thoughts came and went randomly, less and less frequently, and as his awareness evaporated into that same bright clarity, time mattered less and less. As a result, those last few seconds that he lay artlessly sideways on the dirt floor essentially went on forever.

Saturday, February 4, 2012

It's Official... The Golden Age is Over

I’m coming to realize that I just don’t care about movies the way I used to. If you know me even passingly well, you’ll understand what a bold statement that is for me. I’ve been an avid movie-watcher, of all genres and styles, since my parents first subscribed to HBO back in 1981. Well, I’ll tell ya, this is a realization that’s been a long time coming. I haven’t even really been able to admit it to myself until recently, and it’s a confluence of events that have shown me that others are feeling it, too.

When I was in college, I wanted to be a filmmaker. I totally bought into the heady combination of the auteur theory, and the breakthrough of independent film that marked the early 1990s. Back then, it seemed that any film student with a good idea, clever dialogue, and a few credit cards could, a la Kevin Smith, create the next big film, or at least the next cult classic. It seemed that every year, some unknown writer/director was hitting the jackpot at the Sundance festival, getting their labor of love picked up for a million dollars, and getting their foot in the Hollywood’s door.

I was a student of film, too. I watched from three to five new films a week, steeping myself in the history, seeing the films that had inspired the newest generation of creators. And I kept as up to date as I could with everything coming out. I followed awards seasons, became reasonably good at Oscar picks, and listened to a lot of DVD commentaries, to find out how my favorite films were made.

In the last few years, much has changed. I don’t feel that same anticipation to see new films, or get that rush from learning about new projects on the horizon. I used to be crazy for previews, but now they hardly even register. At first, I blamed circumstances. My film viewing dropped off considerably after Lily was born… before, Amy and I used to go through our allotment of three Netfilx films every weekend. But after finding ourselves with much more responsibility and much less free time, we opted to go for shorter, less involved entertainments. And after all, don’t all people at some point start complaining that things used to be better/cheaper/better-made when they were younger?

Lately, though, I’m seeing evidence that I’m not the only person who is finding movies less and less important. On initial consideration, all the usual signposts are there… Ticket prices are rising to offset lower attendance, gimmicks like 3D are becoming prevalent (and also being used to justify those higher ticket prices), etc. But now I’m able to see that the cinema industry is even becoming disenfranchised with *itself*. How?

Take a look at 2011’s top box office hits. Nine out of the ten are sequels. Mark Harris recently wrote in Entertainment Weekly that Hollywood isn’t looking for a hit film anymore, they’re looking for a pilot episode of a franchise that they can reliably crank out for the next ten years. That’s where the real money is. I totally agree. For at least a decade I’ve been blaming Hollywood’s relentless pursuit of sequels, remakes and reboots on the fact that all of the studios, after buying up all the smaller independent film companies, were then themselves snapped up by international media conglomerates. They suddenly found themselves in the position of having to look profitable to a parent for whom a year’s worth of box office receipts made up only a few percent of their total profit. Now more than ever, they’re hedging their bets as best they can, and actively striving to find that ever-elusive lowest common denominator. The sad fact is that such attempts pay off just enough to justify their continued existence.

More evidence that Hollywood itself is feeling the change? Look at the two films from last year that hold the most Academy Award nominations – Hugo and The Artist. The one thing they have in common is that they’re love letters to a bygone era of movies, back in the 1920s and 30s. It’s as if the members of the Academy are themselves looking backward in nostalgia, instead of forward.

The old guard is starting to adapt to the new world, as well. Steven Spielberg, while still celebrated for his continued efforts in films, is moving more and more into television, putting his stamp on no less than four new shows in the last six months. George Lucas, who has always worked outside the traditional system, is now focusing his creative attention on the cartoon television adaptation of his cinematic Star Wars universe. It’s ironic that as movies are now taking on the attitude of television -- where a project’s true value lies in longevity -- some of its largest defenders are now switching to the medium where that’s been the goal all along.

Other iconic filmmakers are leaving the scene in different ways. Stephen Soderbergh, who many consider to be the godfather of the indie film movement, recently announced that he is retiring from filmmaking. When such an insatiable creator of film, with such prolific and wide-ranging interests, believes that he’s accomplished all he can, we have to pay attention to the current quality of the sandbox he’s been playing in all these years.

Movies don’t have the cultural significance they once did, either, which is in part its own fault (because how can the fifth film of any series add something new to the national dialogue, other than maybe a catch phrase?), but media fragmentation is to blame, too. Movies are starting to become marginalized by television and video games, both of which are more immediately available, immersive, and can garner more emotional involvement due to their length. It’s strange how television, originally thought to be the anathema to cinema, seems to have become what movies aspire to be.

Don’t get me wrong. I still love movies. I’m still going to be waiting for something to come along and really speak to me. I’ll even champion the latest book franchise-turned-movie, if the story is good. And I’ve got a hundred years of past classics that still have much to show me. I just hope there are people out there who love film now as much as I used to, enough to keep the medium alive, and maybe have a few filmmakers who want to put on the screen the sort of things I want to see.